![]() ![]() “I’d Rather Lose a Fist Fight” is a bright, invigorating mid-tempo jam that will appeal to a wide variety of tastes.Īfter putting out a single every month of 2017, Twin Peaks is finally teasing a new full-length album, Lookout Low, out September 13. Rethwish’s vocal, reminiscent of Matt Healy’s, is grippingly pleasant his passionate delivery and colorful array of harmonies force you to lose yourself in his words, even if you can’t always understand them. The instrumentation is lush with cheerful, atmospheric synths and samples a pumping percussive beat on top of a persistent classical piano line and capped off with a vibrant guitar solo. Part dance-rock, part electro-indie pop, the song transcends genres. As Coffey repeats to herself, “Oh, back when I was someone young,” you can hear her releasing those memories and the demons that live with them.īon Iver meets The 1975on “I’d Rather Lose a Fist Fight,” the electrifying debut single from Minneapolis songwriter and producer Bobby Rethwish.The hook-filled indie-pop track opens on an intimate note, with a muffled but sweet piano and one softly sung line to draw the listener in: “I’d rather lose a fist fight.” Suddenly, after a burst of white noise, the arrangement opens up to a colorful and energizing palette of sounds. “It’s about allowing yourself to move on from the loss of what could have been one of the most important relationships of your life,” says Fitzgerald. “Ghost Towns,” the second single from their upcoming third album, A Reminder, due out October 11th, tackles the complicated subject of a severed relationship between a parent and child. But what these short glimpses into the mechanics of the song don’t fairly represent is the emotional weight it carries-that as Sarah Coffey sings in layers and Matt Marsico tinkers away on his drumkit, an entire story is unfolding in the foreground. In these videos, you can see how a Stolen Jarssong comes together, built out of tiny, necessary pieces, each one a keystone. In these minute-long clips, 8 or 9 versions of Fitzgerald occupy tiny frames that tesselate the larger screen, each one playing a single instrument-guitar, keyboard, a snare drum, or just hands clapping. Stolen Jars, the Brooklyn indie-rock project of Dirty Projectorssuperfan Cody Fitzgerald and friends, occasionally posts “arrangement” videos of their songs online. Released in mid-October, Ayoni’s Iridescent is worth a listen multiple times over such a strong start proves Ayoniis a force in her own right. The strategic removal and understatement of backing instruments as well as the clever addition of acoustic clapping elements emphasize not only the beat, but the producer and multi-instrumentalist’s range and creativity. Layered harmonies and stunning vocal stylings punctuate the equally notable lyrics, “You say / You don’t know how not to leave me in / Two / But you’re taking more than just your body out of this / Room." The line, “If I can’t have you I’ll slay these men and we’ll all bleed out” reverberates over and over, emotionally building in such a way that it’s easy to feel as if you’ve been sent to another dimension. This track tells the story of a complicated love and love lost set to a uniquely caribbean cadence. ![]() One of eight stunning tracks off her debut, "Santa Monica" showcases Ayoni'scommand of show-stopping harmonies, incredible range and poetic lyricism in such a way that it is clear the 20-year old Bajan artist is a force to be reckoned with. The EP was written and produced by Vu and, if this is anything to go by, it promises to be a very exciting prospect indeed.Newcomer Ayonihas made quite the entrance this fall. The chilled-out jam is taken from Vu's upcoming EP, entitled How Many Times Have You Driven By, a body of work that delves further into the theme of solitude and the different emotions that can be evoked when you end up spending time on your own. It's colourful, playful and a whole lot of fun and ends with Vu's cartoon character self jumping off a cliff and becoming a fish, which is pretty cool. The accompanying animated video, directed by Aidan Chang, only adds to the track's DIY, bedroom-R&B aesthetic, basquing in the simplicity of nostalgic cartoons. ![]() It is made abundantly clear throughout that Hana Vu is in it for the long game, not just for the quick fix and continually looking at ways of honing her craft whilst remaining true to herself. "Cool" sees the LA-based artist borrow some beats from pal Satchy as she masterfully and candidly holds her own, carrying an effortlessly cool melody whilst explaining "It's ok to be alone" as she finds beauty in patience and solitude. ![]()
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